"I wanted to write for harps and harpers who were in Scotland, playing Scottish music, ancient and modern; to write for players who had a specific style, sound and personality which would, together, work in harmony. Finding inspiration in Eugene Field’s story of the Oak and the Ivy in ‘The Little Book of Profitable Tales’ published in 1901, I wanted to hear the wood’s voice within the harp and reflect my intention of allowing the forest to speak and I would listen. Transient tales of shifting seasons in a ever-moving world, with love and loss, acceptance and gratitude, allowing it all, allowing it to be" (Corrina Hewat)
- 4 titres
Corrina Hewat : harpe celtique et électroharpe
Heather Downie : harpe celtique et électroharpe
Wendy Stewart : harpe bohémienne et électroharpe
Mary Macmaster : harpe cordes métal et électroharpe
Bill Taylor : harpe médievale
Tristan Le Govic : harpe celtique électroacoustique
Invité : Dave Milligan : piano (tracks 3 & 4)
Stuart Hamilton (mixage)
Production : Corrina Hewat